Play the section again to hear the resultant aligned track instead of the original. When the transport is stopped, the two waveforms will appear in their respective windows and after hitting Edit, a visual representation of the alignment is traced over the guide. You'd then play the section to be aligned with the Capture Audio button engaged. From the guide channel, an auxiliary send is routed to VocALign's VST3-enabled sidechain input. To achieve this, a VocALign instance is inserted on the dub channel. So how exactly does VocALign work in Cubase? As we said, VocALign needs two signals to work its magic: the guide signal, which provides the template to which the second dub signal is aligned. You can refine the start and end points of the section you want to align to avoid it getting confused by extraneous noises/words and audition the results before committing to a fresh 'VocALigned' track. It analyses the energy profiles over time of both signals and stretches and compresses the dub track to precisely follow the profile of the guide. VocALign takes two audio signals: the guide, which in most cases is the lead vocal, and the dub, which is the backing vocal or harmony that you want to lock to it.
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